European parks had their not-so-humble origins as playgrounds for royalty. Olmsted visited many of these parks on his overseas tours and took voluminous notes of what he saw. Much of what he saw he tried to avoid in his design of Central Park.
Rather than massive fountains, overbearing statues, and cleverly manicured gardens, he and his partner, Calvert Vaux, allowed for only one simple, but beautiful, fountain, one beautiful but elegant statue (the Angel of the Waters on the Terrace) and zero manicured gardens (the Conservatory Garden at 106th Street was only added after Olmsted and Vaux had passed on).
The result was a striking degree of relaxed elegance through naturalistic beauty and simplicity. Their goal throughout was to let nature be the central focus. After all, wasn’t it nature and our natural resources that made our country stand out from its European counterparts?
Throughout my young adult adventure series, Central Park Story, I have tried to underline the unique vision that Olmsted and Vaux brought to the idea of a public park.